Photovoice, a dynamic approach to visual storytelling, emerged in 1992 through the pioneering work of feminist scholars Caroline C. Wang and Mary Ann Burris. Originally, they harnessed this method to empower rural village women in China, granting them a powerful tool to express their concerns and document their lives. In essence, Photovoice serves a trio of essential objectives: enabling individuals to capture and reflect on their worries, fostering rich discussions on critical issues like equality and social justice, and ultimately leveraging visual narratives to incite change and draw the attention of policymakers. These goals are rooted in three foundational pillars: the belief that providing cameras to those who lack access empowers them to document their communities and inspire change, a commitment to Paulo Freire's theory of critical consciousness that encourages people to question their social and historical circumstances, and a dedication to feminist theory, valuing experiential knowledge and amplifying the voices of marginalized communities (Wang & Burris, 1997; Wang, 2005).